20241214 Online Stream Musical Events (Holiday Special)
1. Family concert: “Queen of Christmas”
Platform: Berlin Phil Digital Concert Hall
Date of broadcast: Sunday, December 15, 2024 at 6:00 PM
Link: https://www.digitalconcerthall.com/zh/concert/55676
The organ is the undisputed queen of instruments. And this year, it is the festive guest of honour at the Berliner Philharmoniker’s Christmas concert, to which horn player and presenter Sarah Willis traditionally invites music lovers of all ages. Together with her brass colleagues and organist Sebastian Heindl, she presents a spectacular display of musical fireworks – and great entertainment.
2. 2024 New Year’s Eve Concert with Kirill Petrenko and Daniil Trifonov
Platform: Berlin Phil Digital Concert Hall
Date of broadcast: Wednesday, January 1, 2025 at 12:30 AM
Link: https://www.digitalconcerthall.com/zh/concert/55638
“He has everything and more – tenderness and also the demonic element. I never heard anything like that,” as Martha Argerich once said of Daniil Trifonov. To celebrate the end of the year, the star pianist performs Johannes Brahms’s monumental Piano Concerto No. 2 with the Philharmoniker and Kirill Petrenko. This will be followed by splendidly orchestrated dance works by Richard Strauss: charming waltzes from Der Rosenkavalier and Salome’s overtly sensual Dance of the seven veils.
In 2024, the Berliner Philharmoniker’s New Year’s Eve Concert under the baton of its chief conductor Kirill Petrenko promises Viennese flair. Hamburg’s Johannes Brahms and Munich’s Richard Strauss were both closely associated with the Austrian capital: Brahms found his adopted home here from 1871, and Strauss not only served for a time as head of the famous Hofoper, but also wrote Der Rosenkavalier, probably the most “Viennese” opera in music history. In this concert, the finale from Brahms’s Second Piano Concerto, which echoes the Hungarian tone so popular in the Habsburg metropolis, and excerpts from Der Rosenkavalier both radiate distinctly local colour.
Daniil Trifonov, who was the orchestra’s Artist in Residence in the 2018/19 season, is the soloist in one of the most demanding piano concertos of the 19th century. The fact that Brahms conceived it as the only one of his concertos in four movements points to the symphonic genre, and has an expressive spectrum that is just as broad: it ranges from a restrained, mysterious dialogue between the horn and piano, the impassioned second movement and the dreamy andante with its magnificent cello solo, to the sparkling finale.
In the second half of the concert, Kirill Petrenko, a seasoned Strauss conductor, brings a dance-like atmosphere to the Philharmonie, which is an indispensable part of New Year celebrations. In the second waltz sequence from Der Rosenkavalier, Strauss himself brought together highlights from the last act of his opera. A completely different, oriental-inspired atmosphere characterises the dance scene from the finale of the opera Salome. The stage work – whose Dresden premiere in 1905 was a succès de scandale – established the reputation of opera composer Richard Strauss.
