MUS Talks | 菲利普·勒胡的音乐：声态之艺
音乐的魅力是音乐家创造的成果，是音乐欣赏者探求的奥秘。MUS Talks 系列讲堂旨在提供一个持续性的分享平台，邀请来自五湖四海的专家学者在此分享学术界对于当今音乐的最新动向与研究成果，传播全球化的音乐教育理念，让学生在提高艺术与学术水平的同时能从中收获触类旁通的灵感，努力践行“精于艺，博于文；志于道，成于行”的精神与理念。
MUS Talks 第二十二期，我们有幸邀请了加拿大麦吉尔大学舒立希音乐学院的菲利普·勒胡教授主讲，学部金卓晟助理教授主持，讲座将聚焦勒胡教授近年的音乐创作及其背后的美学。
讲座主题：菲利普·勒胡的音乐：声态之艺
语言：英文
主讲人：菲利普·勒胡教授
主持人：金卓晟助理教授
时间：2024年10月15日（周二）19:00
地点：音乐学院教学楼102阶梯教室
Theme: Philippe Leroux's Music: The Art of Interrelating Sounds
Language: English
Speaker: Prof. Philippe Leroux
Host: Prof. Zhuosheng Jin
Date&Time: Oct. 15, 2024 (Tue.) 19:00
Venue: Lecture Classroom 102, Teaching Building(MUS)
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讲座摘要础产蝉迟谤补肠迟
对我来说，作曲首先是一种理解我所生活的世界的尝试。通过实验声音事件之间的关系，我能更好地解读来自周围宇宙的声音，无论是自然界的还是人类活动的。有鉴于此，我的音乐受四个主要原则的支配：连续性、姿态、乐句和编织结构。正是通过这四个概念，以及各种声音片段的帮助，我将展示我作品的整体。——菲利普·勒胡
For me, composing is first and foremost an attempt to understand the world in which I live. Experimenting with the relationships between sound events enables me to better decipher those that come from the universe around me, whether they originate from nature or human activity. With this in mind, my music is governed by 4 main principles: continuum, gesture, phrasing, and braided structure. It is through these four concepts, and with the help of various sound extracts, that I will present the whole of my work. —Philippe Leroux
演讲者介绍About the Speaker
菲利普·勒胡（Philippe Leroux，1959- ）是他这一代最杰出的作曲家之一。他的音乐以动作与形态的概念为基础，探索声音事件间的关系，在戏剧性与诗意的持续对话中展开。声音的架构、形态的辩证、共振流的力学和动态粒子的相互作用——菲利普·勒鲁的音乐不仅仅展现了其技艺的高超，更是基于对声音感知和结构关系的深刻思考。
他曾在巴黎国家高等音乐学院（CNSMD）师从皮埃尔·谢弗（P.Sch?effer）、扬尼斯·泽纳基斯（I.Xénakis）以及奥利维·梅西安（O.Messiaen）等人学习，随后在罗马的美第奇别墅（Villa Médicis）担任驻留艺术家。他的90部作品在欧洲、美国和亚洲重要的音乐节上演，由苏黎世音乐厅管弦乐团（Tonhalle Orchester Zürich）、英国广播公司交响乐团（BBC Symphony Orchestra）、法国广播爱乐乐团（Orchestre Philharmonique de Radio France）、捷克爱乐乐团（Czech Philharmonic）、克罗地亚广播电视交响乐团（Croatian Radiotelevision Symphony Orchestra）、Ensemble Intercontemporain、蒙特利尔新音乐团（NEM Montreal）、英国爱乐乐团（Philharmonia Orchestra）、魁北克交响乐团（Orchestre Symphonique de Québec）、Avanta乐团、维也纳现代乐团（Klangforum Wien）等著名乐团演奏。
他曾荣获法国学院杜卡基金会奖（S.C.d.Duca Foundation Prize）以及法国基金会的阿尔贝·翁尼格奖（A. Honegger Prize）等多个奖项。2022年，他的歌剧《马利的报喜》（L'annonce faite à Marie）获得媒体一致好评。他也是加拿大皇家学会（Royal Society of Canada）成员，发表了大量文章，并在法兰西公学院（Collège de France）、哈佛大学、莫斯科音乐学院（Moscow Conservatory）以及巴黎声学研究中心（IRCAM）等机构讲学，并曾在2001至2006年期间于IRCAM任教。自2011年以来，他在加拿大蒙特利尔的麦吉尔大学舒立希音乐学院（McGill Schulich School of Music）担任作曲教授。他的唱片目录中包括约40张CD，其中有9张个人专辑。
Philippe Leroux, born in 1959, is one of the leading French-Canadian composers of his generation. His music, based on the notion of movement and gesture, explores the relationships between sound events in a constant dialogue between dramaturgy and poetry. Sound architecture, dialectics of movement, mechanics of resonance flows, and dynamic particles, Philippe Leroux's music, beyond its virtuosity, is based on perception and the structural relationships between sounds.
He studied at the CNSMD in Paris with P.Sch?effer, I.Malec and also O.Messiaen, and I.Xénakis before being appointed resident at the Villa Médicis in Rome. His 90 works have been performed in numerous European, American and Asian festivals by the Tonhalle Orchester Zürich, BBC Symphony Orchestra, Orchestre Philharmonique de Radio France, Czech Philharmonic, Croatian Radiotelevision Symphony Orchestra, Ensemble Intercontemporain, NEM Montreal, Philharmonia Orchestra, Orchestre Symphonique de Québec, Avanta, Klangforum Wien.
He has received awards such as the S.C.d.Duca Foundation Prize from the Institut de France, and the A. Honegger Prize from the Fondation de France for his entire work. In 2022, his opera L'annonce faite à Marie was unanimously acclaimed by the press. A member of the Royal Society of Canada, he has published numerous articles and lectured at the Collège de France, Harvard, Moscow Conservatory, and IRCAM Paris where he taught from 2001 to 2006. Since 2011, he has been an Associate Professor of Composition at the McGill Schulich School of Music in Montreal. His discography includes some 40 CDs, including 9 monographs.
